Indonesian ambient post-rock duo In Inertia prepares for their first-ever performance in China at the prestigious CAN Festival 2026. Representing Southeast Asia, they bring their unique cinematic soundscapes to the scenic shores of Zhoushan alongside global icons.
In Inertia : Annisa Utami & Fitrah Akbar/ Photo doc. In Inertia

In Inertia to International Debut at China’s CAN Festival 2026

JAKARTA – The Indonesian instrumental ambient post-rock band In Inertia officially joins the lineup for the CAN Festival 2026. This prestigious event takes place from April 17 to 19, 2026 in the scenic Daqingshan area of Zhoushan, China. The group takes the stage on April 18, marking their debut performance in the country. Interestingly, In Inertia stands as the only representative from Asia outside of China in this year’s lineup. They share the spotlight with legendary international acts such as The Jesus and Mary Chain, Balmorhea, and Blue Foundation.

A Specialized Sonic Experience

The CAN Festival earns its reputation through a very specific curation process within the global alternative music landscape. Organizers focus heavily on genres like post-rock, shoegaze, and ambient music. The festival offers a unique atmosphere by blending these experimental sounds with the natural beauty of mountains and beaches. Over recent years, this event has become a vital meeting point for the independent instrumental scene in China.

Cultivating a Global Connection

For In Inertia, this invitation validates years of organic growth within the Chinese market. Band member Annissa Utami notes that their listener base in China has expanded steadily through physical record sales and digital platforms. Their debut album even appeared on top post-rock charts on popular social media apps like Xiaohongshu (RED). This connection became physical when Chinese fans traveled all the way to Jakarta just to witness their recent showcase.

Atmospheric Sounds from Jakarta

Founded in 2020 by Fitrah Akbar and Annissa Utami, the Jakarta-based duo creates deeply emotional music. They utilize layered guitar textures, light vocals, and synthesizers to build cinematic landscapes. During their upcoming set, the band plans to perform material from their debut album, To Whom It May Concern, and their EP, Efflorescence. Their presence at the festival proves that Southeast Asian musical perspectives hold significant relevance in the global instrumental conversation.

As reported by Amelia of Gigsplay

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